A sonic journey through Zimbabwe 🇿🇼
Once again, the Analog Africa label takes us on a genuine musical trip — not a packaged vacation, but a dusty, emotional journey through time and sound.
Destination: Kwekwe, in the heart of Zimbabwe, where the Zig-Zag Band plugged in their amps and souls back in the 1980s.
There, guitarist Gilbert Zvamaida — the group’s founding figure — shaped a hybrid sound born from the meeting of Jamaican reggae vibrations and the spiritual heartbeat of the Shona people.
Chigiyo: between reggae and resistance
The Zig-Zag Band didn’t just play music — they created a language.
Chigiyo, a local word meaning “dance” or “movement,” became much more than a genre.
It became a way to speak, pray, and resist.
Beneath the swaying rhythms, the deep basslines, and the hypnotic male choirs, Chigiyo carried a message of unity, peace, and hope.
In “Ndzirombi (Conflict Monger),” the group preaches cohesion and denounces those who stir up division.
The lyrics, sung in both English and Shona, bring together people long separated by history.
A unique sound texture: African reggae under pressure
The Zig-Zag Band’s sound is unmistakable.
The guitars ring like mbira — lamellophone instruments from Shona tradition.
The brass rolls in like a tropical storm.
And the buzzing, cosmic synths weave a hazy mist that gives the album an early taste of Afrofuturism.
This isn’t reggae in the classic sense. It’s a transformed reggae — reshaped by ancestral rhythms, spiritual incantations, and community grooves.
Each song is a spell. A trance. A memory.
“Chigiyo Music Kings”: a vibrant tribute
Analog Africa delivers a carefully crafted reissue, true to its reputation for musical archaeology.
Thirteen tracks recorded between 1987 and 1998, remastered and pressed on vinyl — even the artwork feels sacred.
These songs tell the story of a nation seeking its breath.
Of a Southern Africa breaking its chains.
Of musicians like Zvamaida playing the future without even knowing it.
Tracks like “Gomo Ramasare” or “Mudzimu Mukuru” sound like hymns of resistance.
Their raw, unstoppable energy captures an entire generation dancing its way through survival.
Chigiyo: a philosophy of groove
In Chigiyo, repetition is incantation.
It seeks not provocation, but awakening.
Each refrain, each guitar line, becomes a moral call — an invitation to think rather than to flee.
Zig-Zag Band – Chigiyo Music Kings 1987-1998 (Analog Africa No.42) – The Making Of by Analog Africa
The Zig-Zag Band wasn’t a protest band — it was a collective of healing.
Through their music, they reconciled the social, the spiritual, and the political.
A rediscovery long overdue
“Chigiyo Music Kings” isn’t just a compilation.
It’s a sonic excavation.
A vivid reminder that African creativity never imitates — it invents.
Through this reissue, Analog Africa once again does what it does best:
letting the world hear what it forgot to remember.
When the record fades, only one question remains:
How could we have left this asleep for so long?
Listening tips 🎧
- Play “Ndzirombi” loud — ideally at sunrise.
- Let the bass shake your walls — it’s part of the ritual.
- Explore today’s Zimbabwean scene: Mokoomba, Hope Masike, and the new generation keeping Chigiyo alive in Harare.